LA Weekly: BRINGING IT ALL BACK HOME
To the fans and critics, it’s “country-punk.” To the band itself, it’s Western-folk-thrash.” Whatever you call the hybrid, Blood on the Saddle’s 78-r.p.m. blend of traditional and newfangled strains as much to Jimmie Rodgers as to Johnny Rotten. It may sound like a joke, but this is a band that makes the incongruous congruous. Founder...